Thursday, May 19, 2011
by Kristin Cashore
Set in the same world as Graceling thirty-five years earlier, Fire recounts the tale of the last human monster in the Dells. Though able to both read and control the thoughts of others, Fire chooses not to intrude upon the minds of those around her, using her powers only as a last resort in matters of self-defense. However, when two noblemen begin to plot against the king, the crown asks her to use her powers to aid in interrogating spies, and she eventually agrees to do so.
Like Katsa, Fire is a wonderfully written female protagonist. She fears becoming manipulative, as her father was, relishing her power over others. She yearns for children, but promises herself she won't bring any other monsters into the world. Though considered a monster because of her abilities, Fire's hopes and fears demonstate how very human she is.
While the story is derivative in some aspects, Ms. Cashore's brilliant characters manage to invigorate the story. I will admit I found the book a bit tedious at the beginning when Fire and her long-time friend Archer were the only major characters, as Archer's treatment of Fire bothered me, but once the plot moved into King's City and introduced the royal family, I felt the pace picked up significantly. My only other major complaint is with the final chapter's abrupt segue away from the climatic battle to a memorial service some time later. I would have liked to have read more about the battle, rather than to simply be told of its outcome in a few paragraphs. So much of the book built up to that moment that it was a bit of a let down to have so little time devoted to it.
All told, Fire proves to be an entertaining diversion, but I feel it did not quite live up to my expectations after having read its predecessor.
Sunday, May 15, 2011
The Astonishing Life of Octavian Nothing, Traitor to the Nation Vol. I & II
by M.T. Anderson
National Book Award 2006 (Vol. I), Printz Honor Book 2007 (Vol. I), Prinz Honor Book 2009 (Vol. II)
When I first read Octavian Nothing last year after receiving the books for Christmas, both volumes quickly became two of my favourite works for young adults (surpassed only by the His Dark Materials trilogy). In my book club, volume one had been nominated twice, losing both times by only one vote, before finally winning after its third nomination. I had been wanting to re-read the books for some time now, but book club gave me an excuse to put aside new books in order to do so.
The premise of the novel concerns a young boy, called Octavian, who is being raised by the Novanglian College of Lucidity in Boston in the years leading up to the Revolutionary War. His mother, Cassiopeia, claims to be a princess, and the boy is taught Greek, Latin, music, etc. as any child of the nobility might. Things are not as they seem, however, as Octavian and his mother are actually African slaves, and the boy is taught in the classical method as an experiment in which the collegians are attempting to determine if Africans are as mentally capable as their European counterparts.
After his mother rebuffs the sexual advances of a nobleman from whom the college hopes to receive investments, both she and Octavian lose many of their previous privileges, though Octavian's schooling does continue in part.
The latter half of the first volume and the entirety of the second detail Octavian's involvement in the Revolutionary War, first on the side of the rebels and later as a member of Lord Dunmore's Ethiopian Regiment. While the beginnings of Mr. Anderson's work asks its audience to question the so-called benevolence of the College, this latter half is even more philosophical, asking what liberty is and whether it can truly be bestowed upon humanity so long as governments exists.
An epistolary novel, both volumes are mainly comprised of the diary entries of Octavian Nothing, as well as various letters, advertisements, and other documents that aid the telling of his tale. As such, Mr. Anderson does a truly brilliant job making his audience believe that this journal was written in the 1700's, using archaic spelling and grammar. While this might cause the work to be viewed as difficult to the average teenage reader, I think Mr. Anderson should be commended for his authenticity, as well as for his historical accuracy.
Although such dense language often causes characterization to become lost in the mire, there is no such problem here. The characters are quite vividly portrayed, well thought-out, and, often, sympathetic. The language is such that one can genuinely feel the characters' doubts and hopelessness, as well as their joys. And, given its epistolary nature, I think this is a great accomplishment.
From Rick Yancey's Facebook: "I have just received word that the publisher of the series will NOT be renewing the contract for any future books after the release of Isle of Blood in September. Though the good folks at Simon & Schuster are quite proud, as I am, of the books’ critical success, sales simply have not been what either of us had hoped for. In short, the series is dead unless by some miracle sales of the books take off. I wanted to take this opportunity to publically thank S&S for believing in this project, my family for supporting me through the long nights and weekends while I struggled to “edit” Will Henry’s journals, and, of course, you, the fans of the series who have cheered for its success. I am very proud of you and very thankful that you came to share my passion for these characters and their world. I encourage you to share your passion with your friends and feel free to drop me a line here or at my website. If you are so inclined, you may contact the publisher at the link attached or write to it at Simon and Schuster Books for Young Readers, 1230 Avenue of the Americas, New York, NY 10020. Thanks again!"
When I read this on Friday, I was rather upset, as The Monstrumologist is one of my favourite series currently being written. I will definitely be writing to Simon & Schuster, and I encourage other fans to do the same. I understand that sales have not been as good as were expected, but I would think the publisher would wish to support a series that has done well critically. Despite this outcome, I hope that Mr. Yancey will continue to write The Monstrumologist series and that it may find a home elsewhere.
Those unfamiliar with The Monstrumologist series, can read my reviews for volume one here and for volume two here.