Once Upon a Time...Alone in the Wilderness

Once Upon a Time Season 3 Episode 2: "Lost Girl"

Rather than the four-way split between Emma and company, Henry, Neal, and Rumpel that we had in the opener, this week the narrative is split between Emm and Rumpel in the present, along with a fairyback involving Snow.

In the fairyback, Charming awakens Snow with true love's kiss, and the lovers soon after try to rally a group of villagers against Regina, but to no avail.  Regina offers Snow's group a chance to live happily in exile, confessing that she's been unable to kill Snow.  Snow wants to accept the offer, but Charming tries to persuade her not to.  Charming goes to Rumpel for a solution and is told of a magic sword that can be wielded only by a kingdom's true ruler.  Charming returns to Snow and convinces her to search for said sword with him.

The two find the mythical sword in the stone, and while Charming is unable to remove it, Snow is able to do so, proving that she is the rightful ruler of her kingdom.  The group return to the village, where Regina awaits her answer.  When Snow refuses the offer, Regina uses a spell to choke Grumpy; Snow, with newly discovered courage, uses the sword to free him, scratching Regina's cheek.  A stunned Regina promises that this means war.

Snow searches for Rumpel, wanting to pay whatever price Charming had agreed to in return for the sword.  Rumpel reveals that the sword cannot be Excalibur, which is still in Camelot, and leaves only the hilt in Snow's hand.  He then takes her mother's necklace as payment for wasting his time.  Snow returns to Charming, upset that he lied to her, but after he explains that it was the only way to convince her to stand up for her people, she forgives him.

In Neverland, the group travels through an overgrown jungle as they begin their search for Henry.  As the group reluctantly sets camp for the night, Emma wanders away, following the sound of rustling.  She meets Peter Pan, who gives her a map that he claims will show her the path to Henry.  However, the map is blank, which Emma points out to Pan.  He then explains that it will reveal itself to Emma only when she accepts her true identity and warns that no one else it to tamper with the map.  Emma returns to the group with the map, but after relating her history aloud to the map, nothing happens.  Regina then casts a tracking spell on the map, despite the others' protests.

As the group follows the map into the heart of the jungle (against Hook's better judgment), they are ambushed by Pan, who chides Emma for breaking the rules, and his Lost Boys.  During the battle, Charming is stabbed with poison, and Emma noticeably holds back from killing one of the boys.  Afterwards, Snow asks Emma why she didn't follow through, and she confesses that she saw herself in the boy.  She then relates how abandoned she felt as a child, always wondering why she had been placed in an orphanage.  Only when she admits to being an orphan does the map reveal Henry's location.  Pan reappears to congratulate Emma, but also to warn her that she truly will be an orphan before he is done with her.

Rumpel, meanwhile, cuts away his shadow and orders it to hide the Dark One's dagger where even he can't find it.  Afterward, he's surprised to discover Belle in the jungle.  Convinced that she's an illusion conjured up by Pan to spy on him, he begins to strangle her, while she pleads with him to stop, explaining that he conjured her himself.  He realizes that she is telling the truth, as she often fulfilled the role of his conscience, and he is struggling with whether to kill Henry and change his fate, or to save him and die.  Belle assures him he'll do the right thing, but only if he lets go of the past that's haunted him since childhood.  Rumpel was himself abandoned by his father and continued the circle of neglect by abandoning Bae.  Belle disappears, and Rumpel throws a straw doll made by his father over a cliff into the sea.  As he continues through the jungle, the doll hurtles back toward him; he burns the doll.  Again it finds its way back to him.  Realizing that he can't simply destroy his past, he pockets the doll.

This episode was a mixed bag for me.  The Neverland events were dramatic, but the fairyback seemed to be completely unnecessary.  Traditionally, the fairyback has involved events paralleling those the same character is facing in the present day.  Having a fairyback involving Snow coming to terms with being a ruler, while Emma comes to terms with being an orphan, was a bit of a stretch.  The events leading up to the battle between Snow and Regina have mostly been explored; I don't feel there's new territory left here.  And the current story arc belongs to Emma and to Rumpel.  Snow is a supporting member of this story, as far as I'm concerned.  Unless the fairyback serves to develop her character somehow, it's totally superfluous.  We would have been better served by a flashback of Emma's orphaned childhood, or even more of Neal's life in Neverland than the bit of Snow's history that we were given.

What this episode did correctly was demonstrate to the audience how both Emma's and Rumpel's childhoods have affected them, especially given their current location on Neverland.  Rumpel may not have said it aloud, but he's as much of an orphan and lost boy as Emma, if not more so, given how his past has haunted him and led him to make debatable life choices.

I especially enjoyed the symbolism behind the straw doll.  Despite Rumpel's best efforts to destroy the doll, he fails repeatedly, ultimately deciding to stuff it in his jacket pocket.  One's past, of course, cannot simply be destroyed or buried because it adversely affected one.  Rather, the past remains connected to an individual's every action, whether he's conscious of it or not.  The pocketing of the doll, then, is Rumpel's realization that he cannot escape his past, but instead must own it.

I hope that in future episodes the writers realize that fairybacks are only useful when adding depth to the characters.  Honestly, if they focused only on current events in Neverland, Storybrooke, and the Enchanted Forest, there would be more than enough story for one season.  Shifting the narrative to the past only serves to weaken the plot, or at least it did in this particular episode.  Neverland, being a place where unwanted children find themselves, provides a great opportunity to explore the damaged psyches of Emma and Rumpel.  Don't miss this opportunity, writers!

Dream Factory: Bluebeard

Bluebeard
Director: Catherine Breillat
Original release date: Arte 2009 (France)
US theatrical release: Strand Releasing 2010
US DVD release date: Strand Releasing 2010
Streaming: Netflix
Not Rated
C+

Summary from Seen That: "An adaptation of the classic tale of a wealthy aristocrat with a blue beard."

Review: The narrative of Perrault's fairy tale is set in 17th century France here, where two sisters, Anne and Marie-Catherine, have recently lost their father.  The tale continues in much the same way as the original, with the younger sister marrying Bluebeard and discovering his secret chamber of horrors.

The narrative is framed by two sisters in the 1950's, Marie-Anne and Catherine, reading the story aloud in an attic chamber.  The younger is rather sassy, and, despite the pleas of her elder sister to stop reading the tale, she continues to read, the end result of which is tragic.

The entire film is rather understated, the performances of the leads muted.  To be perfectly honest, nothing in particular jumps out or demands a second viewing in order to parse together some meaning.  The telling of this timeless tale is very straightforward; no non-linear storytelling or juxtaposition of narratives to clearly delineate perceived parallels.  Nearly every scene with the 1950's sisters clearly depicts them reading the tale, save one.  In said scene, Catherine has reached the point in the story where Marie-Catherine enters the forbidden room to find bloody corpses hanging from the ceiling.  But, rather than the scene portraying Marie-Catherine in the room, it is Catherine that we see.  And it is this scene alone that emphasizes the parallels between Marie-Catherine and Catherine, so that when both lead those they love to tragedy, we recognize their similarities.

For those interested in fairy tale adaptations, it's a serviceable film; however, I would not go out of my way to watch it.

Once Upon a Time...in the Eye of the Storm

Once Upon a Time Season 3 Episode 1: "The Heart of the Truest Believer"

At the end of season two, Henry had been whisked away to Neverland by Greg and Tamara; Neal had been shot and fell through a portal to the Enchanted Forest; and our gang of six was about to set sail on Hook's ship to rescue Henry.  In this first episode of season three, the narrative shifts between these three storylines, leaving the happenings in Storybrooke for future episodes.

The Lost Boys come to claim Henry very soon after the trio arrive in Neverland.  Tamara and Greg finally learn who they are working for and why, which results in feelings of betrayal on their part, and a battle with the Lost Boys that does not end well.  Henry flees into the jungle, where he meets a Lost Boy a bit older than him who claims to have escaped from Pan with some pixie dust, although he cannot get it to work.  The two spend the rest of the episode dodging the Lost Boys until Henry is forced to use the pixie dust when the two are trapped between a sea cliff and the pursuers.  With his belief in all things magical, Henry is able to fly away with the other boy, only to discover that the boy in question is Pan himself and this was all a set-up to test whether or not Henry was the "truest believer."

Neal wakes up on the shore of a beach in the Enchanted Forest, surrounded by Mulan, Aurora, and Philip.  At first they are distrustful of him, but when he reveals that he knows Emma and Snow, they relax.  Aurora offers to try to reach Snow through the dreamworld that linked the two worlds together, but cannot reach anyone.  Neal and Mulan then travel to Rumpel's castle, where Neal hopes to find something that may aid them in reaching Emma.  Once at Rumpel's castle, they meet Robin Hood, who has taken over the castle since the curse was first cast.  Much of the castle has been ransacked, but, using Rumpel's shepherd crook from his pre-magic days, Neal is able to unlock a secret passage through blood-magic.  Inside, he finds a crystal ball that reveals to him that the others have traveled to Neverland.

Meanwhile, Rumpel abandons the group to search for Henry on his own, stating that he won't be held back by the others' lack of belief.  Once on the island, he finds the site of the battle between the Lost Boys and Henry's kidnappers.  Despite a gravely injured Tamara's pleas for mercy, Rumpel removes her heart.  A Lost Boy delivers a message of welcome, though he warns Rumpel not to pursue Henry.  Rumpel replies that he knows he will die, but plans to kill as many Lost Boys as possible along the way.

Those remaining on the ship continually argue with each other, as mermaids attack the ship and call down a storm.  After capturing one of the mermaids, the group debates whether to kill her or let her go.  Regina turns the mermaid into a statue, resulting in yet more arguments among the group, as the storm worsens.  Emma dives overboard, realizing that only when the group puts aside their differences and works together will the storm let up.  The group works together to pull Emma back aboard and the ship is able to dock.  As the group sets foot upon Neverland, Emma cautions that they must all believe in each other if they are to succeed.

All in all, I felt this was a great premiere episode.  It didn't spend time recapping last season's events, instead hitting the ground running.  My only complaints are pretty minimal.  I feel that Greg and Tamara should either have been dealt with last season, or left to bemoan their present circumstances a bit longer.  Although both of their final scenes are pretty great.  I also feel the "big reveal" about Peter Pan should have been left for a later episode in order to build greater tension.  And it was annoying to see Regina shift to being the wicked witch yet again.  Why can't character development with her ever stick?
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Speaking of waffling characters, I'm hopeful that Rumpel's decision to pursue Henry on his own stems from a desire to redeem himself, not preserve himself.  His conversation with the Lost Boy seems to indicate the former, as does Neal's line in the castle about family being important to Rumpel.  Of course, I hope his fate can somehow be changed, as a show without Rumpel would be quite different

While I didn't really care for Neal in previous seasons, I am really beginning to enjoy his character.  His banter with Mulan was quite amusing ("They even made a movie about you!"), and his concern for his family was far more relatable and more touching than any similar scene of David's (though I suspect this may be because the actor is more capable).  Of course, his scene in Rumpel's castle was my favorite of this episode, especially the bit about blood-magic.  I hope the writers continue to develop Neal into a likable character this season!

From what I've read about plans for this season, I am excited to see where the writers take everyone.  And if this episode is any indication, it will be a good season with plenty of real drama.

Sara's Library: Carrie

Carrie by Stephen King
Doubleday 1974
B

Summary from Goodreads: "The story of misfit high-school girl, Carrie White, who gradually discovers that she has telekinetic powers. Repressed by a domineering, ultra-religious mother and tormented by her peers at school, her efforts to fit in lead to a dramatic confrontation during the senior prom."

With the new film version coming out, I wanted to read Mr. King's first novel.  I have seen the 1976 film version directed by Brian De Palma countless times over the years, and while I was familiar with the story, the details are sufficiently different enough to make for an entertaining read.

Rather than being a waif as portrayed by Sissy Spacek, in the novel, Carrie is an overweight, acne-prone girl who would likely be tormented for those facts alone.  That she is the naive, painfully shy child of the local religious nut only exacerbates the teasing.  The teenage girls are depicted as relentlessly cruel; one dreads what might have befallen Carrie in today's viral YouTube culture.  

Only three characters are depicted with any sort of positivity: Sue, Miss Desjardin, and Tommy.  However, the two females both question their motivations, discovering that it is not altruism that drives them to help the unfortunate Carrie, leaving only Tommy as an unstained saintly martyr.

Throughout the narrative, articles from newspapers and academic papers about the prom night incident appear.  If someone avoided all pop cultural references to Carrie for the last thirty years, the end would still be somewhat anti-climatic with the heavy-handed foreshadowing present in these articles.  Honestly, I felt they came off as a bit pretentious and distanced the narrative too much from Carrie's perspective of events.  As an anti-bullying piece, it would have been strengthened had the focus been only Carrie, as the reader would have been able to feel her pain more keenly and thus better able to empathize with her.  

All in all, the story continues to resonate today.  I'm quite interested to see what the new Kimberly Pearce film does, considering the setting has been updated to the present and bullying has taken on an entirely new shape online.  

Sara's Library: A Game of Thrones

A Game of Thrones by George R. R. Martin
Book one of A Song of Ice and Fire
Bantam 1996
Locus Award for Best Fantasy Novel 1997, World Fantasy Award for Best Novel Nominee 1997, Nebula Award for Best Novel Nominee 1997
A

Summary from Goodreads: "Summers span decades. Winter can last a lifetime. And the struggle for the Iron Throne has begun.

As Warden of the north, Lord Eddard Stark counts it a curse when King Robert bestows on him the office of the Hand. His honour weighs him down at court where a true man does what he will, not what he must … and a dead enemy is a thing of beauty.

The old gods have no power in the south, Stark’s family is split and there is treachery at court. Worse, the vengeance-mad heir of the deposed Dragon King has grown to maturity in exile in the Free Cities. He claims the Iron Throne."

Spanning more than 800 pages and nearly a dozen POV characters, this first installment of Mr. Martin's epic can appear a bit daunting.  As one begins to wade through the tome, it can be difficult at first to keep track of the various characters and their factions, especially when there are several common names (Robert, Brandon, Jon) used for more than one character.  Due to this, it might be good to have some familiarity with the characters before reading, but it's not absolutely necessary.

There are three major plot threads in this first installment, all of which are left to be concluded in later volumes.  The main plot consists of Eddard Stark moving from his northern seat at Winterfell to the southern capital, where he becomes the chief advisor to his long-time friend King Robert.  Eddard becomes embroiled in a conspiracy when he uncovers information about Robert's wife and heirs and must ultimately choose whether to speak the truth and lose his position, or remain silent and lose his honor.  

The second plot thread involves the heirs of the deposed king, Viserys and Daenerys, who live in exile.  When Daenerys is wed to Khal Drogo, the leader of a Hun-like army, the two hope to travel back to Westeros and regain the throne stolen from them.  But the khal is slow to act, and a feud develops between him and Viserys.

Finally, in the far north, the dead have been coming back to life...

Even with its prodigious length, that's a lot to cram into one book, and yet it never reads like an info-dump.  Information is given carefully throughout the book, always incorporated organically in conversation.  The writing is realistic and straightforward; however, there is a sense of repetition with the writing.  It wouldn't suit the tale told here to have flowery writing, but perhaps a thesaurus would be a good investment for Mr. Martin.

The world-building and character development are definitely the strengths of the work.  While the regions and countries can be reconciled with those in our own world, the inclusion of dragons, dark magic, and the old gods give this tale of political maneuvering more flavor than an historical novel might have.  I've read that each new installment increases the amount of fantasy elements, so I'm interested to see how the elements already present are expanded.

With its emphasis on the history of Westeros, I'm reminded a bit of Tolkien, though there are no linguistic exercises here, and the tale is far grimmer, even without one ring to rule them all.  Winter is coming, after all.